Ecologically valid motion capture of conducting movements with the kinelyze-system

Authors

  • Vera Gehrs Institute for Educational Science, University of Osnabrück, Germany
  • Christoph Louven Institute for Musicology and Music Pedagogy, University of Osnabrück, Germany

DOI:

https://doi.org/10.5964/jbdgm.2018v28.40

Keywords:

motion capture, Kinect, movement behaviour, conducting, ecological validity, minimally invasive

Abstract

In this study, we examined the usability and validity of our software kinelyze, based on the Microsoft Kinect hardware, for ecologically valid, minimal-invasive capturing of musicians‘ movements in real stage situations, using the example of full body conducting movements. The Kinect is a small device, equipped with infrared sensors, that is simply placed on stage without significantly changing the situation and is especially suitable for capturing full body movement patterns. kinelyze transforms the data into a free scalable and rotatable, animated 3D stick-figure. In a pretrial, the basic manageability and reliability of the kinelyze system in a real stage situation were examined. The following main study examined the suitability and validity of the stick-figures generated by kinelyze to reproduce the full body conducting movements. Five conductors were asked to quasi-conduct an audio recording of the exposition of the first movement of Mozart's 'Eine kleine Nachtmusik' (KV 525). The conducting movements were captured and transformed into stick-figures with kinelyze. These stick-figures were presented to 65 subjects acquainted with the five conductors. Subjects were asked to re-allocate the stick-figures, rate the certainty of their judgement, explain their choice in detail and report further details on their individual experiences with the conductors. The results suggest that – despite the lack of hand and finger movements – the stick-figures reproduce the characteristics of full body conducting movements in a form that allows for a clear and reliable recognition of a person. However, this also depends on the particular concision of the stick-figure, the general awareness of a person as a conductor and the individual experiences of the subject. Basically, the findings presented support for a suitability of the kinelyze system and the generated stick-figures as tools for capturing full body movements in corresponding research.

Author Biography

  • Christoph Louven, Institute for Musicology and Music Pedagogy, University of Osnabrück, Germany

    Prof. Dr. phil. Christoph Louven, geb. 1966
    Nach Abitur und Zivildienst 1988-1993 Magisterstudium Musikwissenschaft (HF), Pädagogik, Physik an der Universität zu Köln. 1993 Magister, 1998 Promotion mit einem Thema aus dem Bereich der musikalischen Kognitionspsychologie. Parallel dazu 1990-1995 künstlerisches Zweitstudium an der Robert-Schumann-Hochschule Düsseldorf: Komposition (bei Dimitri Terzakis und Manfred Trojahn), Tonsatz und Klavier. 1995 künstlerische Reifeprüfung (Diplom) im Fach Komposition.

    Berufstätigkeit:

    seit 2009: Universitätsprofessor für Systematische Musikwissenschaft an der Universität Osnabrück
    2007-2009: Wissenschaftlicher Leiter der Simon-Mayr-Forschungsstelle, Ingolstadt
    2004-2009: Universitätsprofessor für Musikwissenschaft an der Katholischen Universität Eichstätt-Ingolstadt
    2001-2003: Lehrbeauftragter für Musikpsychologie an der Hochschule für Musik Köln
    1998-2004: Professurvertreter und Professor für Systematische Musikwissenschaft und Tonsatz im Studiengang Musiktherapie an der Fachhochschule Magdeburg/Hochschule Magdeburg-Stendal
    1993-1998: wissenschaftlicher Mitarbeiter im musikwissenschaftlichen Institut der Universität zu Köln, Abteilung für Systematische Musikwissenschaft, Prof. Fricke;

    Chor- und Ensembleleitung:

    seit 2010 Ensemble für Zeitgenössische Musik der Universität Osnabrück
    2005-2009 Orchester der Katholischen Universität Eichstätt-Ingolstadt
    1998-2004 Chor und Orchester der Hochschule Magdeburg-Stendal
    1996-2002 Vokalensembles „Sotto voce“, Hürth
    1992-94 Organisation und Leitung der „Freien Chorwochenenden Schwalmtal“
    1988-92 „Junger Madrigalchor Schwalmtal“

Published

2019-05-28